-------- Original Message --------
Subject:        RE: Maps and Color
Date:   Fri, 1 Feb 2008 13:27:05 -0500
From:   Hallie Pritchett <[log in to unmask]>
To:     'Maps, Air Photo & Geospatial Systems Forum' <[log in to unmask]>



Here's another resource that may be of interest:

Art and cartography: six historical essays.  edited by David Woodward.
Chicago: University of Chicago Press, c1987.

More specifically, it contains an essay by Ulla Ehrensvard entitled "Color
in Cartography:  a Historical Survey".

Hallie Pritchett
Map Librarian
University of Georgia Libraries
Athens, GA 30602
[log in to unmask]
706-542-0690  FAX: 706-583-0631
http://www.libs.uga.edu/maproom/


-----Original Message-----
From: Maps, Air Photo & Geospatial Systems Forum
[mailto:[log in to unmask]] On Behalf Of Angie Cope
Sent: Friday, February 01, 2008 12:55 PM
To: [log in to unmask]
Subject: Re: Maps and Color

-------- Original Message --------
Subject:        Re: Maps and Color
Date:   Fri, 1 Feb 2008 12:53:02 EST
From:   [log in to unmask]
To:     [log in to unmask]



    Although it does not deal directly with maps, I think the best book
for this type of question is Bamber Gascoigne, How to Identify Prints.
F.J. Manesek's Collecting Old Maps is also useful.

    As Angie says, prior to about 1850 (with a few exceptions) maps were
uncolored or colored by hand for an extra charge.  Most maps produced
during this period were copper engravings or wood cuts, and it is not
unusual for them to exist in both colored and uncolored versions.  This
situation changed around 1850 with the introduction of
chromolithography.  Colored lithographs and colored maps produced by
other processes became increasingly common in the second half of the
nineteenth century.

David Allen
Encinitas, CA



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